Carl Theodor Dreyer (1889-1968) was a monumental figure in the history of cinema, making only a few films which transformed the medium. The National Film Theatre in London is gearing up for an extensive retrospective of his work, ranging from the silent era (The President, Leaves from Satan’s Book, Once Upon a Time, The Parson’s Widow, Love One Another, Michael, Master of the House, The Bride of Glomdal, and The Passion of Joan of Arc) to his rarely-screened, state-sponsored shorts and documentaries to his sound features (Vampyr, Day of Wrath, Two People, Ordet, and Gertrud). If …Read more
While snooping around the Facets Multi-Media website, I stumbled across an announcement for their August 19 special edition video rerelease of The Decalogue (1987), Krzysztof Kieslowski‘s masterly film series originally made for Polish TV and subsequently made famous through its appearances at film festivals around the world. It’s a collection of ten, one-hour films based loosely on the ethical precepts of the Ten Commandments, and the films are noted for their striking cinematography, nuanced performances, and gripping dramaturgy.
The original DVD/VHS from Facets (released in 2001) has been out-of-print for some time and regularly sells for high prices on …Read more
The last few weeks have offered a slew of notable documentaries: Rivers and Tides, The Stone Reader, Stevie, and Winged Migration.
Over the weekend, I had the pleasure of seeing the highly entertaining documentary, Spellbound (2002), which follows eight children as they compete in regional spelling bees and culminates with their face-off at the 1999 Scripps Howard National Spelling Bee in Washington, D.C. The film manages to sketch their individual personalities and their relationship with their families while offering some cultural analysis along the way. America has been obsessed with the concept of the spelling bee …Read more
So the world’s most highly-profiled film event, the Cannes Film Festival, is currently underway and Roger Ebert is complaining that most of the films this year depress him. “Where is the Cannes of the past?” he writes, “The Cannes of great joyous movies and silly starlets and larger-than-life characters and long, lazy lunches on the beach?”
He goes on to wax nostalgically about the good ol’ days of Federico Fellini, Rainer Werner Fassbinder, and Akira Kurosawa, and claims to miss the “audacious experiments” of Quentin Tarantino, Spike Lee, and the Coen brothers.
This …Read more
This is the beginning of a new film blog and educational resource. It compiles sites to learn about the art of film and coincides with comments on recent eclectic viewing. Enjoy!…Read more